There is an interesting essay about intellectual property and the digital era in the recent issue of Spiked. Andrew Orlowski, “This Digital Utopianism is Glorified Piracy,” Spiked, October 9, 2008, http://www.spiked-online.com/index.php?/site/earticle/5795/.
Here is an excerpt:
“In polite company, sympathy for copyright is in short supply, while for politicians, the ‘creative economy’ is little more than a platitude. Such attitudes are most deeply held amongst people who consider themselves liberal, forward thinking or progressive.
Which is deeply odd, because for 150 years liberals and progressives have embraced the artistic creator as both an ally and a pathfinder. From William Morris’ Arts and Crafts movement, to the many schemes devised by postwar social democratic governments, the creator was an aesthetic rebel, a political ally and a visionary, an ethos that owed much to Shelley’s view of the poet as the ‘unacknowledged legislator’. What many of these initiatives had in common was a creator’s economic independence, typically supported through the mechanism of copyright.
The progressive’s support of creator’s rights expressed an optimistic view of society and human nature. But ever since digital utopianism swept through the chattering classes in the early 1990s, this positive view has been replaced by one of misanthropy and paranoia.”